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2000 Bellamah Ave. NW

Albuquerque, New Mexico 87104

Hotel: 505-246-9989

Reservations: 1-855-997-8208

Additional Information

Contact Us

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Hotel Chaco
2000 Bellamah Ave. NW
Albuquerque, NM 87104

Email: nmreservations@hhandr.com
Reservations: 1.855.997.8208
Phone: 505.246.9989

Heritage Hotels & Resorts, Inc. has come to embody the culture, spirit, and tradition of New Mexico. Our mission is to tell the story of New Mexico to our guests. We are a New Mexico-based, minority-owned company offering a collection of award-winning accommodations. Heritage Hotels & Resorts, Inc. was established in 2005 to develop culturally distinct hotels and resorts. Our collection of distinctive New Mexico resorts and hotels draws from a blend of the Southwest’s Native American, Mexican, Spanish and American Western cultural and historical influences. To enter any of our properties is to enter a world of timeless design and innovative craftsmanship.

Hotel Chaco is conveniently located in Albuquerque's historic Old Town and is just a 15 minute drive to the airport and 5 minutes from downtown. Hotel Chaco is behind the landmark Hotel Albuquerque at Old Town. 

TRANSPORTATION

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AIR TRAVEL

International Airport
Albuquerque International Sunport Airport - 5 miles

TRAINS / RAIL / BUS

Alvarado Transportation Center with Greyhound Bus Lines, Amtrak Train and NM Railrunner High Speed Train- 1.7 miles

Albuquerque Bus/Rapid Ride - Curbside

DRIVING DIRECTIONS

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Driving from Santa Fe and the North: Take I-25 S. and take exit 226B to merge onto I-40 W toward Gallup, 2.3 miles. Take exit 157A for Rio Grande Blvd., continue for 0.3 miles. Turn left at Rio Grande Blvd., NW. Hotel Chaco will be on the left behind Hotel Albuquerque.

Driving from International Airport and the South: Merge onto I-25 N via the ramp and continue for 3.5 miles. Take exit 226AB to merge onto I-40 West toward Gallup, and continue for another 2.5 miles. Take Exit 157A for Rio Grande Blvd., turn left onto Rio Grande Blvd. Continue for 0.3 miles. Hotel Chaco will be on the left behind Hotel Albuquerque.

Directions From the East: Head West on I-40, take Exit 157A to Rio Grande Blvd. Turn left on Rio Grande Blvd. Continue for 0.3 miles. Hotel Chaco will be on the left behind Hotel Albuquerque.

Directions From the West: Head East on I-40, take Exit 157A to Rio Grande Blvd. Turn right on Rio Grande Blvd. Continue for 0.3 miles. Hotel Chaco will be on the left behind Hotel Albuquerque.

ARCHITECTURE

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hotel exterior

Hotel Chaco is an Albuquerque luxury resort designed by the international award-winning architectural firm, Gensler. A world leader in sophisticated, luxury design, Gensler's work is grounded in the belief that great design can make the everyday places people occupy more inspiring, more resilient and more impactful.

Hotel Chaco is Gensler’s first design project in New Mexico. The architecture fuses ultra-modern design with sustainable building strategies. The firm’s interpretation of Chacoan architecture is evidenced in the design of Hotel Chaco. In doing so, it honors New Mexico’s unique architectural history.

The Gensler design team traveled to Chaco Canyon to derive inspiration from the site’s ancient structures. Key Chacoan architectural elements such as precise stone masonry, vigas and latillas for rooftop structures and the buildings' alignment with the sun’s movements, are all incorporated into the architecture of our Albuquerque luxury resort.

PEOPLE & LANDSCAPES

Award-winning interior designer Kris Lajeskie (Kris Lajeskie Design) conceived Hotel Chaco’s interiors using subdued hues inspired by the natural wool variations employed by Navajo weavers. The hotel’s interiors juxtapose ancestral references with contemporary materials, furnishings and original artwork.

“My mission is to evoke the spirit of Chaco through the use of coloration and materiality in the interiors,” shares Lajeskie. “In particular, we sought out Native artisans who were inspired to connect with their ancestry. From the moment you enter, your senses will be activated and you will know you are in a very special place.”

The design of Hotel Chaco's Albuquerque suites simultaneously speaks to the rich heritage of New Mexico’s people and landscapes, while evolving the contemporary architectural style for the Southwest vernacular. Kris Lajeskie has curated the top Native American artists to create original art for the hotel.

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ARTISINAL FOCUS

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art

Inspiration for Hotel Chaco was drawn from local artists and the true artisan nature of indigenous painters, sculptors, and basket-weavers. With a hand-crafted quality to the overall project, an intense focus is placed on materiality, texture and light. The woven façade articulation of the native limestone is a poetic translation of the basket-weaving craft. Chosen materials throughout Hotel Chaco reflect a natural palette inspired by the vast New Mexico landscapes.

Hotel Chaco’s pale stone masonry façade and wooden accents are designed to work with the warm, dry climate of the Southwest and are reminiscent of architectural elements found at Chaco Canyon and in New Mexico’s pueblos. The hotel’s southern walls feature deeply recessed windows to protect guest rooms from excess heat in the summer, while the northern side of the building utilizes large windows that allow the low winter sun to warm the interiors, following the model of Chaco Canyon. The sandstone used for the exterior façade is sourced from the Colorado/New Mexico border and until now has never been used in a commercial project. Some of the original building materials used to build Chaco Canyon, including lumber, came from the same.

ELEMENTAL LOBBY

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Guests are welcomed to Hotel Chaco with soothing ambiance and the juxtaposition of flowing water and a warming fire. A tranquil oasis in the heart of a desert city. The circular lobby and entrance design is inspired by the architecture at Chaco Canyon. Guests enter the interior lobby of the hotel through a narrow circular vestibule and are greeted by water and fire elements on opposite walls. Stacked stone masonry is used throughout the main floor, highlighted with recessed rock and wood elements. The lobby is aligned to the directions north-south and east-west. Stone banco seating lines the circular walls similar to structures found in Chaco Canyon. The roof structure is highlighted by vigas and latillas, traditional Southwestern architecture also evident at Chaco Canyon. A giant glass oculus designed by Tammy Garcia will be the ceiling focal point. It is surrounded by wooden beams in a traditional Hogan pattern. The concrete floor is unevenly polished to show the granite pebble aggregate reminiscent of a riverbed. The space also features original Native American artwork by Joe Cajero, Tony Abeyta and Roxanne Swentzell.

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A SANCTUARY FOR THE SENSES

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community space

Hotel Chaco's community spaces and common areas invite visitors to relax, and embark on an interior journey drawing on the serenity of the area’s natural landscapes. The community room features a fireplace, an extensive reference library and original artwork by Rhett Lynch. Large doors open onto an exterior courtyard landscaped with natural grasses and native cottonwood trees. A variety of stone pavers lie in a circular pattern that represents how the rain falls to the earth. Monumental basalt stone columns form an organic fountain feature with a reflecting pool. Guests may relax in seating around a firepit.

CHACO CYLINDERS

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Cylindrical clay pottery vessels with intricate black and white designs were also among the treasures found at Chaco Canyon. For decades, mystery shrouded the actual purpose of these vessels. We now know after tests conclusively found traces of cacao on the pottery - that they were ceremonial vessels for special cacao elixirs. Kris Lajeskie is re-creating these vessels for display at Hotel Chaco. Plans are also under way to create a special chocolate elixir to serve in the hotel.

Recently, the National Park Service staff surveyed the Chaco collection—which includes hundreds of thousands of items, from turquoise jewelry to rare items such as woven-grass baskets and sandals.  They found that nearly 1,400 of the pots assembled during the past century are in urgent need of restoration, due to the age-related deterioration of glue. The non-profit Friends of Chaco is fundraising to aid in the restoration of pottery from Chaco Canyon and Mesa Verde.  Canyon and Mesa Verde. 

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Artwork & Artists

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Art & Sensibility

Hotel Chaco is an Albuquerque accommodation that celebrates local and regional artists throughout all public spaces, and then pursues the same art sensibility in our Albuquerque suites and landscape design. Heritage Hotels & Resorts, together with Kris Lajeskie Designs has commissioned some of the most prominent contemporary Native American artists to create original artwork for the hotel.

You can explore and purchase your own masterpieces from many of these artists at Gallery Hózhó

Joe Cajero (Jemez Pueblo)

Joe Cajero (Jemez Pueblo) is a sculptor working in clay and bronze. He creates clay originals, limited edition bronze sculptures and unique monumental commissions. Heritage Hotels & Resorts commissioned Cajero to create the centerpiece sculpture for Hotel Chaco’s lobby. “Cajero’s experience as a Pueblo potter as well as his use of abstract imagery and an earth toned color palette make him the perfect fit for Hotel Chaco. We are very honored to work with Cajero and celebrate his artistry,” said Jim Long, CEO of Heritage Hotels & Resorts.

The bronze sculpture Cajero created for Hotel Chaco is entitled “Oneness.” It was inspired by the following quote from Wayne Dyer describing a conversation between Jesus and God: “May I know you as I knew you even before my beginning.”  According to the artist, the sculpture represents love, energy and oneness lifting up from the ground. It has four sides, representative of the four directions, with a female image on one side and a male image on the other side. The faces are composed of altars that represent multiple lifetimes. The colors on the inside represent the colors of the universe. The texture on the inside represents the dialogue that is inside of all of us. The texture also shows evolution of multiple lifetimes and represents the consequence of the power sentient beings have to transform energy. The colors on the outside represent the rising and setting suns and the gold symbolizes enlightenment or awareness. The base represents three levels of creation: subconscious/ consciousness/ super- consciousness or body/ mind/ spirit, or father/ son/ holy-spirit, however that resonates in an individuals understanding. The upward spiral stands for multiple lifetimes and energy rising. The stepped headpiece on the sculpture at the top of the masks represents the pinnacle of energy returning to the source.

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Roxanne Swentzell (Santa Clara Pueblo)

Roxanne Swentzells' sculpture "The Guardian" sits above the hotel lobby reception desk. "The Guardian" watches over the hotel like a guardian angel. She also created several of the cylinders in the lobby and one of the pots on the second floor nicho. Swentzell comes from a family of renowned potters and sculptors.

Roxanne Swentzell attended the Institute for American Indian Arts and the Portland Museum Art School and won Best of Sculpture in the Santa Fe Indian Market in 1999. Swentzell creates full-length clay figures that represent the complete spectrum of the human spirit. She feels that many people are out of touch with their environment and hopes relating to her expressive characters will help them get back in touch with their surroundings and feelings. Her figures represent a full range of emotions and irrepressible moods. Swentzell focuses on interpretative female portraits and the balance of power between the male and female, inherently recognized in her own culture.  Additionally, she increasingly uses a powerful sense of humor to communicate.

Learn more at roxanneswentzell.net or see our Roxanne Swentzell Video below.

MARLA ALLISON (LAGUNA PUEBLO)

Marla Allison is a full time artist and member of the Pueblo of Laguna Pueblo. She has created two original paintings for Hotel Chaco's second floor hallway. In 2008 she won the inaugural Innovation Award at the Santa Fe Indian Market for her painting, “Mother,” which is now alongside her painting “Father” in the permanent collection of the Heard Museum. Following the award, Marla was invited to be a Storyteller at the Business Innovation Factory (BIF) in Providence, RI. In 2010, Marla received the Native Woman’s Fellowship at the School for Advanced Research in Santa Fe, NM. In March of 2016, Marla won Best of Division, 2D artwork, at the Heard Museum Indian Market for her painting “Labor of Love." Marla has paintings visible on Hotel Chaco's second floor.

Learn more at marlaallison.com or see our Marla Allison Video below.

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clay pottery vases

Lee and Flo Vallo (Acoma Pueblo)

The Vallos are re-creating original Cylindrical clay pottery vessels with intricate black and white designs that were also among the treasures found at Chaco Canyon. Working in the traditional pottery methods, the Vallos mine the clay from a sacred mountain, dry and prepare the clay, form the vessels using traditional methods and hand-paint them using natural pigments with a quill from a yucca plant. The Vallos frequently demonstrate at National Park sites and at the Indian Pueblo Cultural Center.

TAMMY GARCIA (SANTA CLARA PUEBLO)

Hotel Chaco’s main front doors and lobby ceiling oculus are designed by Tammy Garcia, of Santa Clara Pueblo. The front doors are a modern interpretation of the black on black pottery renowned from Santa Clara Pueblo, the image on them is Avanyu, the Tewa water serpent that appears in petroglyphs all over the Southwest and at Chaco Canyon. The Oculus is representative of 3 eagles (swirl images) as the eagle is a sacred bird and she wants the viewer to look skyward. Using ancient methods and modern techniques, Tammy brings cultural history to life in her contemporary work.

Tammy Garcia is a renowned Pueblo potter and sculptor whose work embodies both classic design and modern iconography. Garcia descends from four generations of artists at Santa Clara Pueblo and learned the basics of pottery by watching her mother and grandmother. Throughout her artistic career, Garcia has explored sweeping and breathtaking designs that are identifiable as time-honored beacons rising up across her work. Such designs incorporate ancient and historic Puebloan motifs including elements of nature, bird abstractions, and bands of repeating feathers, at once recognizable yet composed in manners that defy convention. Her unique ability to create highly refined ceramic works with such rare variety and depth remains the cornerstone of her success.

Learn more at TammyGarcia.studio.

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girl in dress

Patricia Michaels (Taos Pueblo)

Acclaimed fashion designer Patricia Michaels designed some of the signature uniforms for the staff at Hotel Chaco. Her pieces for Chaco are inspired by the Chaco Canyon pottery shards and painting pottery.

Michaels is known for one-of-a-kind couture that defies fashion trends. Most recently, she garnered national recognition for her Peabody Essex Museum show, "Native Fashion Now" 2015 and international attention after receiving the highly prestigious Smithsonian National Museum of the American Indian Arts and Design Award. She is the very first recipient of this award, a historic achievement. After her successful run on the Emmy Award winning season 11 of “Project Runway,” where she won the first runner-up title, she was asked back to compete on “Project Runway All Stars," Season 4. Her “Project Runway” debut was a historic first for a Native American designer and has brought her many new opportunities to showcase her sought out fashion and textiles. Learn more at pmwaterlilyfashion.com.

Ira Lujan (Taos/Ohkay Owingeh Pueblos)

Ira Lujan created a hand blown glass antler cloud in the lobby as well as three glass poured pieces on the hotel's third floor based on the spiral petroglyph found at Chaco Canyon. The antler is an ancient sacred symbol as is the cloud, in this he combines these two symbols to form a cloud of antlers.

Lujan says that glass is the new pottery medium as it is light suspended in time. Lujan was introduced to glass blowing in Taos, NM in the summer of 2000, and started an apprenticeship with the Native American Glass Artist Tony Jojola. Working with Jojola brought forth the possibilities of incorporating native themes and influences with ancient techniques of glass blowing. Lujan also attended the Pilchuck Glass School in Stanwood, Wash.

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artist

Rhett Lynch (Navajo)

Rhett Lynch has two paintings titled "I AM" featured on either side of the fireplace in the "relaxation/chill room" in the hotels lobby. “I AM” is representative of petroglyphs found at Chaco canyon and all over the world, by placing a hand the meaning is to say “I was here, I exist, I am” the spiral is representative of the Sun Dagger spiral on Fajada Butte in Chaco Canyon.

Lynch lives and works in Alameda, NM. In his 30 plus years as a professional artist, he has found expression in a variety of mediums: hand-woven tapestries, sculpture, drawings, monotypes, paintings in oil and acrylic, writing, and acting in films. His work conveys a universal message that transcends all cultural boundaries. Although varying greatly in medium and subject matter, all of Lynch's pieces share a common thread, intensity of color interwoven with multifaceted intent. His paintings and writing are deeply personal, complex and moving, sometimes disturbingly so. Viewing Lynch's works is an interactive experience provoking thought, evoking emotion, and leaving a lasting imprint on the psyche.

Rhett Lynch also created an artist room at the Nativo Lodge in Albuquerque, another Heritage Hotels & Resorts property.

Mateo Romero (Cochiti Pueblo)

Mateo Romero completed paintings featured at the hotel's fourth floor. The paintings are all explanations of Chaco Canyon’s mysteries and how they relate to the elements (rain/earth), sustenance (food/corn) and spirituality (ceremonial architecture) are central to the Native American world view.

Romero was born and raised in Berkeley, California. Although his cultural background is an urban one, through his father Santiago Romero and his connection to their Southern Keresan Cochiti people, this experience includes much of the Rio Grande Pueblo world as well. Romero attended Dartmouth College and studied with acclaimed artists Ben Frank Moss and Varujan Boghosian. He received an MFA in printmaking from the University of New Mexico. He is an award-winning artist who has exhibited internationally in Canada and in the United States. He is a former Dubin Fellow in painting at the School of American Research in Santa Fe, NM. In 2016 he received a prestigious Native Arts and Culture artists award. He paints in his studio in Santa Fe and lives in Pojoaque Pueblo with his wife, Melissa, and their children Rain and River.

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Other Native American Artists

Tony Abeyta (Navajo)
Tony Abeyta has a focal point painting in the Hotel Chaco lobby. Abeyta is a Navajo contemporary artist working in mixed media paintings. He is a graduate of New York University who also holds an honorary doctorate from the Institute of American Indian Arts in Santa Fe. He was the 2012 recipient of the New Mexico Governor’s Excellence in the Arts award, and is recognized as a Native treasure by the Museum of Indian Arts & Culture.  His work can be seen at the Blue Rain Gallery in Santa Fe, NM, and is included in the Smithsonian’s National Museum of the American Indian, Boston Fine Arts Museum, the Heard Museum in Phoenix,  the New Mexico Fine Arts Museum, the Autry Museum in Los Angeles, and the Eiteljorg Museum in Indianapolis, as well as in many other public and private collections. Abeyta’s primary focus has been on painting the emotional experience one finds in the New Mexico landscape. 

Learn more at tonyabeyta.com.

Preston Duwyenie (Hopi)
Preston Duwyenie created a white sands platter in the lobby. Duwyenie lives and works in Santa Clara Pueblo. Like his ancestors he gathers his clay just outside the pueblos, he offers prayers to the earth while digging the clay, and like them he is inspired by the beauty and awesome strength of nature.  He uses potting techniques that have been utilized for more than a thousand years, but in terms of style, there is a point where Duwyenie steps outside this realm. Duwyenie has taught at IAIA and received Best of Show at the Heard Museum Indian Fair & Market and twice at the Colorado Indian Market. His Shifting Sands series integrates ceramic and metal, reflecting one moment in time for the artist.  He remembers watching a smooth pebble caught in sand being shifted by the wind, “there was beauty in its isolation within the sea of sand.  It was like an island.”  Among other things the series symbolizes for the artist “the endless sands of time, and the fact that people, too, are tossed about by the wind.  There is always a rippling pattern to our lives.”

Robert Tenorio (Santa Domingo)
Tenorio created one of the large pottery pieces featured on the 2nd story nicho. Robert uses traditional designs and shapes in his pottery through his own interpretations of traditions.  His first award was in 1971 from the Heard Museum in Arizona. He now has ribbons enough, he laughingly noted, to “make two quilts!” One of his pieces entered in Indian Market was so intriguing that a new category was made just for it — Prehistoric Pottery —  for which he also received an award.

Gregory Lomayesva (Hopi)
Lomayesva has several masks featured on the rotunda on the second floor of the hotel. He is an internationally recognized painter, sculptor and mixed-media artist and draws imagery and ideas from his heritage.

Lynnette Haozous (Chiricahua Apache/Taos Pueblo/Diné)
Haozous painted the hotel lobby ceiling to look like an old worn Navajo rug. Haozous is an enrolled member of the San Carlos Chiricahua Apache tribe in Arizona. Haozous was fortunate to grow up and experience living in her tribes nations, but calls Taos Pueblo, New Mexico home. Drawing inspiration from all three of her tribes, Haozous employs herself as an artistic instrument of the indigenous journey to convey her people’s truths, through such mediums as painting, drawing, sculpture, jewelry, pottery, film and stage. 

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Connect with Us

Planning a romantic getaway in Albuquerque, or an inspired family vacation? We love that others are spreading the word about what we have to offer at our newest luxury Albuquerque hotel, and we want to share their insights with you.

Download our Media Kit or visit our Media section for additional info. Or, connect with us on: Facebook, Twitter, Flickr, YouTube, Pinterest, Instagram.

HOTEL CHACO GIFT CERTIFICATES

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CHECK-IN /CHECK-OUT

Check-in time is 4 p.m. Check-out is 11 a.m.

RESORT FEE

$30 Resort Fee includes parking, daily newspaper, access to seasonal outdoor pool and hot tub, access to fitness center, WiFi, and daily in-room bottled water and snacks.

PHOTOGRAPHY

Guests may take photos during their stay. Professional or staged photos must be arranged or scheduled/approved through hotel management.

SMOKING

Hotel Chaco is a non-smoking hotel. If there is evidence of smoking in a guest room, we will charge a fee of $200 plus tax to the guest to cover cleaning costs.

WIFI

WiFi is included in the resort fee.

PETS

We are happy to welcome dogs to Hotel Chaco. Our pet fee is $75 for the first dog, and $35 for the second dog, per night stayed. Guests cannot leave pets unattended. Dog weight limit is 60 lbs.

MINIMUM AGE REQUIREMENT

Guests must be at least 21 years old to make a reservation. Exceptions are made for active military with proper military ID if under the age of 21.